«Arcadia» – 2. ReRenaissance-Festival - Andere - Seite 95
Programm
«Fair Oriana»
1 Cease leaden slumber* – Tobias Hume (1569–1645)
Captaine Humes Poeticall Musicke, London: John Windet,
1607, Nr. 1
2 Arise, awake* – Thomas Morley (1557–1602)
Madrigales: The Triumphs of Oriana, to 5. and 6. voices, composed by divers severall authors, London: Thomas East, 1601, Nr. 13
3 Heigh ho holiday* – Anthony Holborne (1545–1602)
Pavans, Galliards, Almains, and other short Æirs both grave,
and light, in five parts ... Made by Antony Holborne, London:
William Barley, 1599, Nr. 65
4 Sing we and chant it – Thomas Morley
Of Thomas Morley the First Booke of Balletts to Five Voyces,
London: Thomas East, 1595, Nr. 4
5 Fair Phyllis I saw sitting – John Farmer (1570–1601)
The First Set of English Madrigals to Foure Voices, Newly
composed by Iohn Farmer, London: William Barley, 1599, Nr 15
6 Thyrsis, let pity move thee – Thomas Morley
Canzonets or Little Short Songs to Three Voyces, Newly published by Thomas Morley, London: Thomas East, 1593, Nr. 12
7 See the shepherds’ Queen – Thomas Tomkins (1572–1656)
Songs of 3. 4. 5. and 6. parts by Thomas Tomkins, London:
Thomas Snodham, 1622, Nr. 17
8 The leaves be green – John Johnson (1545–1594)
Cambridge, University Library, MS Dd.9.33, fol. 63v–64r
9 Clear or cloudy – John Dowland (1563–1626)
The Second Booke of Songs or Ayres, of 2. 4. and 5. Parts [...],
Composed by Iohn Dowland, London: Thomas East, 1600, Nr. 21
10 With Angel’s face* – George Kirbye (1565–1634)
The Triumphs of Oriana, Nr. 20
kursiv = instrumental / * = Bearbeitung ReRenaissance
Samstag, 27.09.2025 | 22:30 Uhr | Konzert ➌ Late-Night-Konzert
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